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My long-held view is that the title of most inspired song-writers belongs to the holy trinity of Bob Dylan, Nick Cave and Leonard Cohen. Having compiled a DYLitANy and CAVEspers already, I felt it was time to give the honour to Mr Cohen. (Incidently I've been very fortunate to see all three leading worship in London during the last 18 months.)
Why 'The LEONARDiction' - well being a traditionalist I had to come up with some kind of religious pun, however paltry. Also, the Benediction - or blessing - that usually accompanies the end of a church service or prayer time is somewhat appropriate for Cohen. For some reason a benediction is always 'prounounced' - and in my experience that means the minister or priest delivers it with a sombre yet uplifting tone. And surely if such contradictory adjectives were ever to be attributed to a singer's voice - it has to be Cohen's. So here's the 'setlist'...
Processional Hymn: Hallelujah (Various Positions, 1985)
Praise and Worship:
Love Calls You by Your Name (Songs of Love and Hate, 1971)
Dance Me to the End of Love (Various Positions, 1985)
That Don't Make It Junk (Ten New Songs, 2001)
Intercessionary Prayers: The Future (The Future, 1992)
Confession:
Everybody Knows (I'm Your Man, 1988)
Tower of Song (I'm Your Man, 1988)
Bible reading: The Story of Isaac (Songs From a Room, 1969)
Sermon: Anthem (The Future, 1992)
Response: If it be Your Will (Various Positions, 1985)
Recessional hymn: Here It Is (Ten New Songs, 2001)